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Directors such as Lang, Robert Siodmak and Michael Curtiz brought a dramatically shadowed lighting style and a psychologically expressive approach to visual composition (mise-en-scène), with them to Hollywood, where they made some of the most famous classic noirs.
By 1931, Curtiz had already been in Hollywood for half a decade, making as many as six films a year.
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Scroll down to the bottom of the comments until you see the words newer and newest next to the number of comments on the right, those words are links that will lead you to a new page of comments.An analogous case is that of the screwball comedy, widely accepted by film historians as constituting a "genre": the screwball is defined not by a fundamental attribute, but by a general disposition and a group of elements, some—but rarely and perhaps never all—of which are found in each of the genre's films.The aesthetics of film noir are influenced by German Expressionism, an artistic movement of the 1910s and 1920s that involved theater, photography, painting, sculpture and architecture, as well as cinema.) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly such that emphasize cynical attitudes and sexual motivations.Hollywood's classical film noir period is generally regarded as extending from the early 1940s to the late 1950s.